Wednesday, March 30, 2011

Watch This: Suzi Yoonessi's "Futurestates" Episode "Spring of Sorrow"

Having recently championed filmmaker Suzi Yoonessi for her recently released feature, ?Dear Lemon Lima,? I looked forward to her contribution to the ?Futurestates? web series (which I also showcased in my recent Cinematical SXSW shorts roundup). Titled, ?Spring of Sorrow,? it features another minor appearance by Beth Grant, a favorite underrated character actress of mine, and like ?Lima? incorporates a lot of doodle type drawings. I?ll admit that the narrative, about a little girl searching for water in a parched near-future, doesn?t grab me as much as Yoonessi?s feature did, and I?m not completely down for the global warming angle (I see it more related specifically to the global drinking water crisis than a general environmental concern), but once again I applaud the director?s ability to create young-adult-geared stories that aren?t adapted from other material and are age-appropriate without being age-limiting or exclusively appealing.

?Spring of Sorrow,? which was co-written by Jonako Donley, offers a simple kind of futurist fairy tale that makes me want to lump Yoonessi in with some other new filmmakers I?d like to see hired for some of these new fairy tale adaptations trending in Hollywood lately. Two others I discovered via ?medium? shorts at SXSW are Jessica Lux and Lindsay Mackay, who showed magical realist works ?Join the Dots? and ?Clear Blue,? respectively. I see them doing much better jobs with the material than Catherine Hardwicke and Daniel Barnz have. And speaking of bad female-driven fantasy films, if you?re dissatisfied with the faux girl power of ?Sucker Punch,? do check out ?Lima,? which may not have action and special effects but it does have characters your daughter can actually relate to and be inspired by.

Watch ?Spring of Sorrow? after the jump. And keep checking the Futurestates site for new episodes. JP Chan?s ?Digital Antiquities? is next, debuting online March 31.


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?(I see it more related specifically to the global drinking water crisis than a general environmental concern)?

You?re ill-informed.� And DEAR LEMON LIMA was forgettable twee-child nonsense.


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Britney Spears To Tour With Enrique Iglesias This Summer

I hope you?re a fan of Britney Spears? new album, ?Femme Fatale?: something tells me we?re �going to be hearing a lot of it! Plans have just been announced for Britney to go on tour this summer along with Enrique Iglesias.

It makes sense: tickets to her San Francisco performance sold out in 44 minutes, and the city even declared March 27 Britney Spears Day.

I wouldn?t have imagined Britney and Enrique touring together, but they probably pull in very different fan bases, which should mean more tickets sold. If they come to your city, do you want to see them live?

Photos by FAME



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QOTD: LeAnn Rimes Will Scream With Her Nipples Out

I know the term "butterface" and while I don't think she has the most slammin' body in the world, she might be some measure of attractive but not for her face -- at least in that picture, taken from a distance - everything from the neck down is "OK" - but everything above is all kinds of wrong - the hair, the face, the sunglasses - everything

certainly, yes, she has an overworked body with fake boobs and bad lipo [*given*] - but in that shot, she is the definition of a butterface... which is why I said "right there yo"

and I kinda like the bikini...

*****
luscious_t requests asylum from Hollywood star whackers
http://www.myspace.com/luscious_t_999
Well, it's worse than war, it's worse than death
There ain't too many left who ain't been
Eaten by the monster of love
(Don't let it get me!)



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The Originals: "Mildred Pierce" is Another Film I Should Love But Just Don't

With Todd Haynes? lengthy HBO adaptation of James M. Cain?s ?Mildred Pierce? premiering last night, it occurred to me that I had never seen Michael Curtiz?s classic 1945 film starring Joan Crawford as the titular mama. So I remedied this just before watching parts 1 & 2 of the miniseries. I wouldn?t recommend doing this, though, as Haynes? version drags like molasses when seen immediately after the neatly compacted older film. Then again, it also makes you better appreciate the still-awful Ann Blyth, because the precocious actress Morgan Turner is downright excruciating as the young Veda in the newer work.

I do like the 1945 film, as much as I like classic movies in general, as much as I like having TCM on in the background in my office, but I don?t love it. And I guess this makes ?Mildred Pierce? qualify for the discussion Dan prompted earlier on what films we should love but just don?t. Not that the film has the necessary making of a movie that I should love. I?m not a big fictional drama kind of guy to begin with, but maternal melodramas are really not my cup of tea.

Still, Curtiz?s version, as adapted by Ranald MacDougall (who received an Oscar nomination for the screenplay), with uncredited contribution from William Faulkner and Catherine Turney, features all the conventions I?m fond of in other films of the era (and some stereotypes I can do without, like the cough-as-foreshadowing-death cliche), particularly its structuring the story as a narrated flashback following a death. And as a mash up of the film noir and woman?s film genres, it is a great success. There?s certainly no reason to fault it for being familiar and predictable.

Nor should I really criticize Crawford solely on the basis that I prefer her later, campier and crazier performances. If I don?t consider her Oscar-winning work here as powerful as I?d expected, that?s a matter of perspective, I guess (ironically, in many melodramas, I want the acting toned down). And I think she?s a great commanding presence, whether or not this is as much to the credit of how well Curtiz and cinematographer Ernest Haller highlight her face, which I?ve always believed existed solely for the cinema. Watching ?Mildred Pierce,? I viewed so many shots of her as being epitomic of film perfection and wondered if they resonated so much because they?re already known to be specifically iconic to me (via film books or sampled clips or whatever), or if Crawford is such an icon because every picture of her is so captivating. I presume the latter applies here.

The single, or primary, problem I have with ?Mildred Pierce? concerns Blyth and her character as adapted. Yes, I think she?s terrible in the role and question what the Academy was thinking in nominating her for Best Supporting Actress, even if I found her so sufficient as a spoiled brat that I constantly wished for Crawford to beat her with a wire hanger to set her straight. But I guess most of my issue with her has to do with the writing of the character and the overall relationship between her and her mother as insufficiently translated to the screen in such short length. I don?t think we ever get a real good understanding of why Veda is so spoiled, from the beginning, and her motives continue to be under-explored to the climax. I never bought the character and found her role in Mildred?s story, as significant as it?s supposed to be, the very least interesting part of the film.

Regardless of how much I?m already despising Haynes? Veda, as portrayed by Turner, and I don?t expect to be any more into Evan Rachel Wood?s performance, I expect and hope that the miniseries will allow for greater development of the character and the mother-daughter dynamic. This may be simply a case of it having a longer running time to devote to this?if Haynes can focus so much time on the evolution of Mildred?s baking business, compared to Curtiz?s use of quick voice-over exposition, there?s no way he could be lacking in room for the more necessary story elements.

I?m interested in hearing from devout ?Mildred Pierce? fans on what they love about the film and what you may have to say in the defense of Blyth and the development of Veda. And what does everyone think of Haynes? version, in comparison, so far?

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Comments

Apples & Oranges, my friends. Though I?m not a especial fan of Joan Crawford?s version, I will say that the new mini-series is well-crafted, well-acted, and beautifully directed. I?m not particularly drawn to the source material, but when I watched it last night on HBO, I was really drawn in by the excellence of the production. Todd Haynes really has a feel for this kind of story.

All the things you taught me to apprectiate in the old, classic, B/W drama films are in Mildred Pierce. I saw it way before you were born & loved it more each time I saw it. I didn?t know exactly why i loved it until, years & years later?....... after your explanations re what makes a good movie.

I dont get why you don?t love it, except that I guess Joan Crawford?s ?Mildred Pierce? must be a Girl?s Movie!

And I agree with JBD?s comment, re Mildred?s love scenes in the HBO version: Some things are much better left to the imagination!

Great article.� Bad choice of movies you don?t love.

xoxo

As a long and devoted fan of the novel, I?m loving the HBO adaptation.� The mini-series follows page-by-page, and with wonderful detail.

Cain was far ahead of his time, understanding a family?s devestation in the wake of a child?s unexpected death.� Why does Veda turn into a monster?� Yes, she was snooty and haughty as a youngster, but her sociopathy develops after she loses her little sister.

Watch the evolution of Mildred, as well.� For all of her plucky independence, Mildred?s a woman who has both her child and her middle-class respectability taken away, left scrambling to fill the voids.� When you watched her jump in (literally) and start her fling with Monty, could there be any doubt that you were seeing someone make a big, big mistake?

Haynes? version is s-o-o-o s-l-o-w-w-w-w-w.� Not noir-y like the original.� And I really didn?t need to see Mildred have sex.


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Britney Spears To Tour With Enrique Iglesias This Summer

I hope you?re a fan of Britney Spears? new album, ?Femme Fatale?: something tells me we?re �going to be hearing a lot of it! Plans have just been announced for Britney to go on tour this summer along with Enrique Iglesias.

It makes sense: tickets to her San Francisco performance sold out in 44 minutes, and the city even declared March 27 Britney Spears Day.

I wouldn?t have imagined Britney and Enrique touring together, but they probably pull in very different fan bases, which should mean more tickets sold. If they come to your city, do you want to see them live?

Photos by FAME



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Generation Hit-Girl

Generation Hit-Girl

by Steve Dollar

Sucker Punch

At once completely idiotic and, like, totally awesome, the gamer-geek blockbuster Sucker Punch splits the difference between Kick-Ass and dumbass as it conjures a CGI-enriched fantasy realm where unfolds a Gothic fairy tale about dirty pretty things evening the score in a man's, man's, man's, man's world.

Or maybe it's just Showgirls for third graders. The movie's Chuck E. Cheese all-you-can-eat pizza buffet chowdown on pop culture references and recent cinematic history makes it confusing to sort out. (Indeed, it tested the limits of my High Concept Motion Picture Aggregrator.) Give director Zack Snyder some real credit, because he's made Shutter Island meets Girl, Interrupted meets Moulin Rouge! meets Kill Bill meets Sin City meets Charlie's Angels meets Inception meets his own 300.

Sucker Punch One dark and stormy night, Baby Doll (Emily Browning) is menaced by her creepy stepfather, eager it seems to rid himself of competition for his late wife's inheritance. She fires a gun at him, hoping to protect her little sister from possible molestation, but the bullet ricochets and kills the poor thing, instead. The blonde, buxom, pigtailed offender is hauled away to the local asylum, a gated compound with a Hammer Studios/Titicut Follies vibe where Bad Daddy arranges with a corrupt staffer (Oliver Isaac) to have her lobotomized in five days. But suddenly! The crazy house turns into a lush bordello, where the working girls appear as captive slave labor, trained in exotic dancing by a Polish madame (Carla Gugino) with a moose-and-squirrel accent who plays fern-bar versions of classic rock hits on a reel-to-reel tape deck as they shake their groove thing. (Strangely, there is rarely any shaking or grooving on display). Everyone is kept under heel by Blue (also played by Isaac), a kind of Ricky Ricardo gangsta-pimp-pretty-boy with a cruel streak, thrilled because he's about to sell Baby Doll to a mysterious High Roller for a princely sum.

Sucker Punch When she dances, though, Baby Doll disappears even deeper inside her head, stepping into a video game reality where she meets a sensei?Scott Glenn! Nothing less than a David Carradine surrogate, the so-called Wise Man hands his disciple a samurai sword and some enigmatic advice, and turns her loose to battle a trio of giant killing machines before she comes back to the whorehouse. Now she knows how to escape, and she knows who she's taking with her: spunky Rocket (Jena Malone), seasoned Sweet Pea (Abbie Cornish), tough girl Blondie (Vanessa Hudgens) and, well, plug in whatever heroic attribute you like here because they're all interchangeable anyway Amber (Jamie Chung). More importantly, each character is more or less a white girl, a brown girl, a yellow girl and a crypto-lesbian, and they all look really rad in the sexy outfits they get to wear in avenging schoolgirl Baby Doll's endless and rampant imagination, unleashed any time she dances her mesmerizing routine (which, by the way, we never get to see).

Sucker Punch Thus the story progresses, a dream within a dream, as our inglourious Barbies vanquish demons, robot monsters, fire-breathing serpents, and the entire nation of Germany circa 1919, accompanied by an anachronistic pop soundtrack that blandly recycles the likes of "Search and Destroy" and "White Rabbit." Along the way, they're gathering the tools they need to escape Blue's grasp, bonding as sisters, and teaching themselves courage and self-determination. Snyder is keen on placing his heroines in a lineage that includes Alien's Ripley, The Terminator's Sarah Connor, Kick-Ass' Hit-Girl, Angelina Jolie in Tomb Raider mode, Daryl Hannah's killer-thighed replicant from Blade Runner, or anything else you might think up. The code is a kind of feminized macho: a Hollywood gloss on the Japanese girl-gang mythos of the "Pinky Violence" genre.

Or, as Glenn advises in one of his bumper-sticker asides: Don't ever write a check with your mouth that you can't cash with your ass. Holla!

Sucker Punch Yeah, okay. Sure. I wanted to be excited by this, because the concept is easy to like. But if I was the father of a pre-teen girl, I don't think I would take her to a movie whose characters (even in a fantasy) are the pawns of sexual slave traders. Even if, in the context of a fantasy within that fantasy, they turned out to be ball-busting acrobatic kung-fu action babes. But the lunchbox brigade was there, probably too IMAXed-out on the CGI fireworks and rushing on the sugar from their half-gallon cups of Coke to puzzle out the PG-13 subtleties of the deeper story. That said, Sucker Punch pushes every strip club archetype without ever really becoming raunchy, which makes the movie a shameful tease. James Gunn, whose forthcoming Super boasts Ellen Page as a foul-mouthed vigilante called Boltie, coined a name for it: PG Porn.

Now that I have that public service announcement out of the way, there are certainly less enjoyable ways to burn a couple of hours in the afternoon. Sucker Punch is aptly named, yet it delivers on both sides of the equation. You will feel stupid after you watch it. And some part of you, where an unrepentant and devious 11-year-old kid resides, will be really thrilled that you did.

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Posted by ahillis at March 26, 2011 8:37 AM



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Britney Spears To Tour With Enrique Iglesias This Summer

I hope you?re a fan of Britney Spears? new album, ?Femme Fatale?: something tells me we?re �going to be hearing a lot of it! Plans have just been announced for Britney to go on tour this summer along with Enrique Iglesias.

It makes sense: tickets to her San Francisco performance sold out in 44 minutes, and the city even declared March 27 Britney Spears Day.

I wouldn?t have imagined Britney and Enrique touring together, but they probably pull in very different fan bases, which should mean more tickets sold. If they come to your city, do you want to see them live?

Photos by FAME



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