Friday, September 30, 2011

Miranda Kerr Steps Out In Paris

Wow Miranda Kerr is gorgeous! Love those leather shorts. Even in shorts and a tee the model is a definite stunner!

The Victoria?s Secret model, who is in Paris for Paris Fashion Week was spotted out and about before walking the catwalk for Dior today.

Miranda has made Paris Fashion Week a family affair with love Orlando Bloom and baby Flynn along for the trip. I must say I think I would love to travel to Paris for work!

Photos by FAME



Powered By WizardRSS.com | Full Text RSS Feed | Amazon Plugin | Settlement Statement | WordPress Tutorials

Source: http://feedproxy.google.com/~r/imnotobsessed/obsessed/~3/0FBubl9hd4A/

celebrity haircuts celebrity celebrity hair celebrity movies celebrity babies

Sidney Lumet's Best Films

Director Sidney Lumet, who passed away April 9 at the age of 86, may not have been a "name" director like Steven Spielberg or Alfred Hitchcock (at least not to the general public), but you certainly know the names of his films.

From 1957's '12 Angry Men,' to 'Dog Day Afternoon,' 'Serpico' and 'Network' in the '70s and 'The Verdict' in 1982, Lumet's movies were searing documents that questioned the social issues of their day. Far from being dated, his movies from each era remain as fresh and as relevant as ever.

(Just go on Youtube to see how many fan mash-ups there are of 'Network's cautionary message about over-reliance on spoon-fed media.)

His movies featured towering performances from Al Pacino, Henry Fonda and Paul Newman, ones that are still considered among their finest work.

Read on to see our list of Lumet's best films.
'12 Angry Men' (1957)
This isn't just a seminal film for Lumet, but a pivotal role for star Henry Fonda. Here he plays the Juror #8, a soft-spoken Everyman who refuses to be swayed by prejudice or pressure from the other men in the room. The drama is still as fresh as we watch them argue and confront each other, not just about the trial, but their assumptions about each other.


'Dog Day Afternoon' (1975)
Essential movie viewing for any film fan: Al Pacino is at his best as a bumbling bank robber who becomes an unlikely celebrity. Unbelievably, it's based on a true story! We've included the famous "Attica, Attica!" scene but you owe it to yourself to watch the whole movie. (Clip is NSFW.)

'Network' (1976)
Sure, you know the "I'm mad as hell," scene by heart, but what happens next when the network decides to cash in on new anchor Howard Beale's madness? See the clip here.

'Serpico' (1973)
Then 49-year-old Lumet gave young up-and-comers Martin Scorsese ('Mean Streets') and William Friedkin ('The French Connection') a run for their money with this gritty tale of police corruption, featuring one of Pacino's best performances. In the clip below, Lumet comments on a scene that Pacino improvised. (Clip is NSFW.)


'The Verdict' (1982)
Hard to believe that Paul Newman didn't win an Oscar for his role as a conscience-stricken, alcoholic lawyer trying to do the right thing far too late in his career. The film, written by David Mamet, was nominated for five Academy Awards, including Best Picture.


'Prince of the City' (1981)
Yes, it's sort of a redux of 'Serpico,' with an undercover cop (this time played by Treat Williams) tackling rampant police corruption, but Williams and a young Jerry Orbach make the journey well worth it, especially those last 20 minutes.

'Running on Empty' (1988)
River Phoenix was rightly nominated for an Oscar for his supporting role as Danny, who's been raised on the run by two Vietnam-era fugitives but who now wants to start his own life. This emotional scene between Christine Lahti and Stephen Hill -- where she asks her estranged father to take Danny in, knowing she'll never see him again -- will break your heart.

'The Fugitive Kind' (1960)
This is a personal favorite. Since it's based on the Tennessee Wiliams' play 'Orpheus Descending,' and takes place in a small Southern town, it's a real departure from Lumet's usual Manhattan milieu, but the intensity of the characters' desires, and the question of whether might makes right is

'Fail-Safe' (1964)
Perhaps the one film of Lumet's that now feels somewhat dated, if only in comparison to another, very similar film that came out the same year, Stanley Kubrick's 'Dr. Strangelove.' Whereas Kubrick's black comedy laughs in the face of extinction, Lumet's film plays out with an entirely straight face.

'Before the Devil Knows You're Dead' (2007)
Lumet's last film follows a pair of ne'er do well brothers (Ethan Hawke and Philip Seymour Hoffman) who scheme to rob their own parents' jewelry store. Lumet, Hoffman and Albert Finney all netted several awards for this family crime drama. "The screen may be full of losers, liars, killers and thieves, but behind the camera is a mensch," New York Times critic A.O. Scott said in his review, an apt summary of Lumet's entire film legacy.



Powered By WizardRSS.com | Full Text RSS Feed | Amazon Plugin | Settlement Statement | WordPress Tutorials

Source: http://blog.moviefone.com/2011/04/10/sidney-lumets-best-films/

celebrity cars celebrity haircuts celebrity celebrity hair celebrity movies

FANTASTIC FEST '11: Critic's Notebook

FANTASTIC FEST '11: Critic's Notebook

by Steve Dollar

The Human Centipede 2 at Fantastic Fest

Chaos reigns, as they say. And when it reigns it pours at Fantastic Fest. Austin's other major film festival brings the crazy every September, with a transglobal genre eruption that runs the gamut from "action" to "zombie," and a high volume both of fanboy geeking and hardcore cinephilia. What other festival could have first visited The Human Centipede upon American shores, then gone on to award it the prize for best film? Natch, the inevitable sequel premiered as the big opening night attraction as the fest launched its seventh edition Thursday, heralded by a pre-show dance number led by FF Superfan Elijah Wood and a three-man power-eating contest involving a culinary concoction described as "poo sausage."

The Human Centipede 2

Nothing if not inspirational, the original THC was classic exploitation. As much a brilliant, silly, transgressive marketing concept as a film, it quickly generated a porn parody and a South Park shout-out, DIY human centipede chains at pool parties, fan-made tattoos and art pieces, and endless viral meme-gasms and bad jokes. Yet, the actual movie was a sufficiently creepy exercise in biological freakout thanks to director Tom Six's focus on psychology and a chilling lead performance by German character actor Dieter Laser as the diabolical Dr. Heiter. Six's inevitable if implausible sequel takes off from another clever premise: what if one of the first film's obsessed fans took things to the next level? The Human Centipede 2 (Full Sequence) starts there, going ass-to-meta with a new, startling found object as its focus: Martin (the extremely game Laurence Harvey, a former UK children's TV host). A morbidly obese security guard at a parking garage, Martin spends his days literally drooling over repeat viewings of the movie on his battered laptop, pausing only to masturbate with scraps of sandpaper. Life at home is an Eraserhead parody. His aged and hysterically wrung-out mother is besieged by homicidal/suicidal fixations and has no apparent remorse for the childhood sexual abuse Martin suffered?the cruel, demented echo of his father's voice forever ringing in his deformed little ears.

The Human Centipede 2

John Waters couldn't have done it any greasier, as the camera serves up profuse shots of Martin's zeppelin-sized belly and ever-moist gob, his literal shithole of a London flat evoking the claustrophobia of Repulsion and the queasiness of Freaks in Six's highly subjective black-and-white. The dark comedy (?) stands on its own as genuine exercise in the grotesque, but there's that damn human centipede to build, and the movie all-too-dutifully goes about detailing how Martin bags his victims (hot babes, mostly, subdued with a tire iron), and deposits them in a dank warehouse where they wriggle and whine, muted by duct tape. The big selling point of the sequel has been the promise of the explicit gore and depravity that was mostly absent in the original movie. It's "100% Medically Inaccurate!" this time, since Martin has no clue what he's doing, creating a bold new centipede?bigger, longer, uncut?using a staple gun, a hammer and other crude tools between wheezing puffs on his asthma inhaler. It is increasingly nasty to watch, escalating from one gross-out to the next before it hits the jackpot (take that, A Serbian Film!), the monochrome palette lending a '70s-style grime to the various oozing body fluids (although there is a burst of color at a predictably disgusting moment). But the story, as such, never evolves out of its funhouse mirror effect, even with the pretty good inside joke of having THC star Ashlynn Yennie return as herself, lured to Martin's lair on the premise of an audition for a new Quentin Tarantino film. Even if Six, as was revealed in a post-screening Q&A, cast his villain by asking him to "rape a chair," he?s a compassionate director. The fake feces splattered across the screen was delicious, several of the comely cast members agreed. The secret ingredients (for those of you playing at home): rice milk, soy milk, chocolate powder and ginger biscuits ("for texture").

Clown

I?d argue that the more transgressive film is Clown, a Danish comedy adapted from a long-running TV series that takes the men behaving badly scheme so popular in dreadful franchises like The Hangover and actually, you know, makes it funny. Frank (Frank Hvam) is a milquetoast who needs to impress his newly pregnant girlfriend that he can be a good father, or else she's going to get an abortion. His ill-fated solution (after a series of absurd mishaps put him deeper in the doghouse) is to take Bo (Marcuz Jess Petersen), her 12-year-old son, on a canoe trip with his best friend Caspar (Casper Christensen). Trouble is, its Caspar's annual "Tour de Pussy," an outward bound adventure to a one-night-only riverside whorehorse and carnival. There's no room for a kid on this field trip, especially the chubby and insecure Bo, whose lack of a masculine figure in his life is so dire that he has yet to learn how to pee standing up.

Dick jokes abound, of course, as Frank's good-natured intentions lead to hysterical social disasters and Caspar's insistent horniness compounds them (or vice-versa), the plot veering from one epic cringe to the next, with a surplus of gratuitous nudity, creepy-pervy punchlines and shock tactics that make the Farrelly Brothers appear meek. It works beautifully, because there's an oddly kindhearted message underneath the mayhem, and because said mayhem never stops. Every seemingly happy resolution sets up the next catastrophe.

Sleepless Night

Fatherhood is likewise the motor for Sleepless Night, a French thriller that stars Euro action hunk Tomer Sisley as Vincent, a crooked Parisian cop who hijacks a big drug deal and makes off with a lucrative tote bag of cocaine, only to have the young son he neglects kidnapped by a local gangster who wants his stash back. Already slated for a Hollywood remake (paging Liam Neeson), the film's calling card is its relentless action. It never stops. Director Fr�d�ric Jardin situates everything in a sprawling nightclub that becomes a kind of rat's maze for Vincent, as he tries to rescue his son while being chased by or chasing the mob boss who owns the joint, the drug dealers who bought the cocaine, the good cop who wants to bust him and the even more corrupt cop who wants to kill him, and everyone else he's pissed off, which he manages to do constantly. And, oh yeah, he's slowly bleeding to death from a stab wound suffered in the heist. Sisley's vigorous momentum and the often intricate stagings call to mind the razzle-dazzle of Paul Greengrass' Bourne movies, but with a fragile protagonist who keeps fucking everything up. If he was James Bond, then Dr. Evil would have blown up the moon already. In this construction, though, the bad guys are equally inept, and a packed disco floor makes everything way complicated?and supplies an excuse to frame a contender for the year's best chase sequence, set in the middle of a Eurotrash line dance to "Another One Bites the Dust."

Bookmark and Share

Posted by ahillis at September 24, 2011 12:23 PM



Powered By WizardRSS.com | Full Text RSS Feed | Amazon Plugin | Settlement Statement | WordPress Tutorials

Source: http://feedproxy.google.com/~r/greencine/daily/~3/Q4dieI_u2LA/008130.html

celebrity gossip celebrity hairstyle celebrity look a like celebrity diets celebrity clothes

BOOK TO SCREEN: Moneyball

BOOK TO SCREEN: Moneyball

by Vadim Rizov

Michael Lewis is a veteran journalist who sticks almost exclusively to two topics: professional sports and business/economics. His 2003 book Moneyball details Oakland A?s general manager Billy Beane?s struggles to apply the latter to the former. Ignoring decades? worth of received wisdom about appraising baseball players, Beane swapped out the insights of crusty veterans for dispassionate number-crunching performed by nerds, trying to find new statistics and more reliable measurements for what to expect from a player. The success of Beane?s theoretical tinkering is questionable?the A?s have never won a championship since his management began in 1998?but his impact in getting people to think differently about team sports is undeniable, and the methods he championed still controversial enough to instantly set off fans who despise the very idea of stats-based team-building: the release of director Bennett Miller's Moneyball film triggered, among other things, a contemptuous sports column about Paul De Podesta, Beane?s assistant in Oakland, whose short-lived stint as GM of the Los Angeles Dodgers can still drive sports columnists to sputtering rage.

Moneyball There are a lot of contentious feelings and arguments attached to Moneyball?s ideas and arguments, none of which translate into the movie itself. Beane wasn?t coming out of nowhere; he was building on the work of (among others) Bill James, who argued that baseball statistics measured the wrong things and proposed some new formulas for determining a player?s worth. The book spends a considerable amount of time detailing both James? evolving thinking and the sputtering fury he provoked in baseball traditionalists. Some of the film?s best scenes pit Beane (Brad Pitt) against a room of real baseball scouts playing themselves; their collective, dry, repetitive insistence on ?fundamentals,? the importance of a hot girlfriend (an average-looking one indicates ?low self-confidence?) and other ?intangibles? is stopped dead by Beane?s insistence on relying solely on numbers and trying to stay emotionally detached. In business, this would make sense: for them, it?s irrational anathema.

Moneyball When it comes time to explain what Beane?s statistics actually are or how they work, the film clams up: aside from a speedy montage of players being told what (not) to do (don?t bunt, walk every time), the advice basically boils down to ?Don?t be the phenomenal all-round athlete you think you should be; be the single-purpose player we tell you to be.? That?s where the film leaves it: specifics are omitted, presumably not to alienate the baseball illiterate, which is a bad decision. With the most important and compelling parts of the book?the ones that flesh out Beane?s ideas to show concretely how and why his motley crew of unwanted players fulfilled their statistical destiny?barely sketched out, the movie needs another source of drama or conflict: if the visceral passion of baseball nerds isn?t a motivator, what is?

Moneyball Lewis' portrait of the oft-abrasive Beane is mostly retained, the idea that was receptive to new methods of evaluating players because he felt that the scouts who?d promised him a superstar future had let him down is bluntly restated by one of the real-life scouts. But the book?s point is that Beane?s struggle was meaningful as a stand on principle, rationality standing against counter-productive emotional attachment to the bad old ways, a stance admirable outside of the point: this isn?t good enough as an emotional factor, apparently, so Moneyball gives us something Lewis has no interest in?button-cute daughter Casey (Kerris Dorsey), who worries her divorced dad will get fired and have to move to another city (?don?t read the internet,? he tells her). Pitt?s performance is often lively, which isn?t that hard when his character regularly gets to throw objects and upend tables to express feeling. As the film begins to conform to a typical rise-of-the-underdog arc, though, humor dies away.

Moneyball Considering the entire last third of the movie is about literal victory, it?s strange how little of the games are shown. Then again, maybe this is just to mirror Beane?s perspective, who ducks being on the field, opting instead to work out or drive around while occasionally switching on the radio to hear how the A?s are doing. The only other character of note is Jonah Hill?s amusingly fictionalized Peter Brand (clearly a stand-in for De Podesta), a big guy clearly uncomfortable being around the players and scouts responsible for the sport he loves more than anything, but he doesn?t get enough screen time. The players get one scene apiece, if that: a brief batting cage face-off with fading star David Justice (Stephen Bishop), ending with him agreeing to do like Beane asks and lead the younger players into embracing unorthodox play, is about as much dialogue time as any player gets.

Moneyball With the hard details of how Beane?s methods worked (or didn?t) eliminated and with no one else to watch for much of the running time, what we increasingly get is Brad Pitt staring balefully: sometimes while driving, sometimes in his office. Towards the end, with his head bowed during The Big Game, he looks like he?s praying in the world?s darkest church. Above ground, in slow motion, bat connects with ball: the deafening crack seemingly permeates down into the basement, with Beane?s head raised instantly. For a movie that goes out of its way to avoid coming off like a Field Of Dreams/The Natural-style sentimentalization of America?s (former) favorite pastime, it?s counter-productive to transform a struggle of principle into a vindication of one man struggling to retain his job, be a good father and so on; it?s the most solipsistic conquest imaginable. Beane argues for detachment and ignoring received wisdom onscreen, but?numerous spreadsheet montages aside?this turns out be as conservative a baseball film as any, a triumph of the underdog over nothing in particular.

Bookmark and Share

Posted by ahillis at September 22, 2011 9:08 AM



Powered By WizardRSS.com | Full Text RSS Feed | Amazon Plugin | Settlement Statement | WordPress Tutorials

Source: http://feedproxy.google.com/~r/greencine/daily/~3/xMI7-fw5QXI/008129.html

celebrity babies celebrity relationships celebrity couples celebrity photos celebrity gossip

A Waste Of Bologna!

Page Six says that Justin Theroux's BMW motorcycle has been parked in front of Jennifer Aniston's West Village apartment all week and some shady trick decided to send him a little message by showering his bike with what Aniston should've made for doing The Bounty Hunter: a bunch of cold bologna slices! Filling my head right now are scenes of Jennifer Aniston putting on a serious face to seriously tell a package of Oscar Mayer bologna that what it did to her was really uncool.

One of Jennifer's neighbors tells Page Six that while they were walking their dog early yesterday morning, they found a bologna bukkake scene playing all over Justin's bike. They said bologna was on the seat, the muffler, the engine, the everywhere! The neighbor is a regular Detective La Toya, because they said this about one of Justin's enemies losing their lunch all over bike, ?I got the impression it was some weird message, like, ?You?re full of bologna. The bike was in otherwise in fine condition.?

Maddox wouldn't touch a piece of gross bologna with Jennifer Aniston's hooves, so you can quickly pull his name out of the suspect pile! Maddox only eats Beanie Baby meat and Cabbage Patch legs. But who ever this is should be punished to the maximum extent of the cold cut laws. Not because they fucked with Justin's bike. Who cares about that bitch. They deserve punishment for wasting bologna IN THIS ECONOMY. That bologna could've been doing more important things like slapping a stripper's ass.

But we really shouldn't believe this shit until Terry Richardson posts pictures he took of Jennifer Aniston and bologna to show us that she's happy and she's okay with bologna even though it did her wrong.



Powered By WizardRSS.com | Full Text RSS Feed | Amazon Plugin | Settlement Statement | WordPress Tutorials

Source: http://dlisted.com/2011/09/30/A-Waste-Of-Bologna+

celebrity cars celebrity haircuts celebrity celebrity hair celebrity movies

Crystal Harris To Auction Off Engagement Ring From Hugh Hefner

Although Crystal Harris was the one to call off her wedding to Hugh Hefner, Hef agreed to let her keep the $90,000 engagement ring. Now she?s auctioning off the 3.39 carat circular-cut diamond at Christie?s in New York next month. Sources told TMZ:

?[Crystal] couldn?t bear to look at the ring anymore because it brought back�bad memories.?

if it?s that painful for Crystal to look at, why not just return the ring to Hef? It?s expected to sell for $20,000 ? $30,000.

Photos by WENN.com




Powered By WizardRSS.com | Full Text RSS Feed | Amazon Plugin | Settlement Statement | WordPress Tutorials

Source: http://feedproxy.google.com/~r/imnotobsessed/obsessed/~3/jQapLP40eqg/

celebrity diets celebrity clothes celebrity cars celebrity haircuts celebrity

Crystal Harris To Auction Off Engagement Ring From Hugh Hefner

Although Crystal Harris was the one to call off her wedding to Hugh Hefner, Hef agreed to let her keep the $90,000 engagement ring. Now she?s auctioning off the 3.39 carat circular-cut diamond at Christie?s in New York next month. Sources told TMZ:

?[Crystal] couldn?t bear to look at the ring anymore because it brought back�bad memories.?

if it?s that painful for Crystal to look at, why not just return the ring to Hef? It?s expected to sell for $20,000 ? $30,000.

Photos by WENN.com




Powered By WizardRSS.com | Full Text RSS Feed | Amazon Plugin | Settlement Statement | WordPress Tutorials

Source: http://feedproxy.google.com/~r/imnotobsessed/obsessed/~3/jQapLP40eqg/

celebrity haircuts celebrity celebrity hair celebrity movies celebrity babies

Molly Sims and Scott Stuber Show Lots of Love on Their Hawaiian Honeymoon



Powered By WizardRSS.com | Full Text RSS Feed | Amazon Plugin | Settlement Statement | WordPress Tutorials

Source: http://feedproxy.google.com/~r/popsugar/~3/OVMV29jLJZo/Molly-Sims-Pictures-Honeymoon-Hawaii-Scott-Stuber-19275824

celebrity cars celebrity haircuts celebrity celebrity hair celebrity movies

Kelsey and Camille Grammer In Court

0930_kelsey_grammer_EX_02

Kelsey Grammer and Camille Grammer just showed up in court to do battle in their custody case, and it's the first time they've seen each other since they separated.

Now get this ... Kelsey walked into court with his newest wife, Kayte -- smiling, hand-in-hand.� But when it came time to call the case, everyone other than Kelsey, Camille and their lawyers were thrown out -- including Kayte.

And Kayte then walked into the hallway, sat down and teared up.

Story developing...

0728_stars_whove_split_footer_v2



Powered By WizardRSS.com | Full Text RSS Feed | Amazon Plugin | Settlement Statement | WordPress Tutorials

Source: http://www.tmz.com/2011/09/30/kelsey-camille-grammer-custody-battle-ex-court-divorce-support-money-minor-son-daughter/

celebrity haircuts celebrity celebrity hair celebrity movies celebrity babies

Hollywood Rag - Celebrity Pictures, Hot Female Celebs, Fashion, News, Music, Videos, Weird

Hot Celebrity Links


Jennifer Aniston's Official Response - Dlisted

Nina Dobrev Flashes Her Denim Booty - Hollywood Tuna

Zombie Janice Dickinson?s Not So See Through - Drunkenstepfather -nsfw

Floor humping and knee sucking by Chris Brown - The Blemish

Alyssa Milano Unveils The First Photo Of Her Newborn Baby Boy - Pink Is The New Blog

Brad and Angelina Get a Head Start on Halloween With Shiloh, Zahara, and Pax - Popsugar

Nicole Richie Got Breast Implants? - Yeeeah

Irina Shayk for Sale - CityRag

Jennifer Lopez is trying to bone Jason Statham and Rodrigo Santoro - Celebitchy

image

Source: http://www.hollywoodrag.com/index.php

celebrity hairstyle celebrity look a like celebrity diets celebrity clothes celebrity cars

Adele?s new music video for ?Someone Like You?: epic, amazing and lovely?

Adele?s new music video for ?Someone Like You?: epic, amazing and lovely?

adele11

This is really not what I needed this morning. Yes, I love Adele. I think she?s gorgeous and amazing talented and I want her as my girlfriend. But I didn?t need to sit here, first thing in the morning, in a puddle of tears after watching Adele?s new music video for ?Someone Like You?. Now? this is the song. Everybody loved her first single and music video from 21, ?Rolling in the Deep?. That?s the song that got the ball rolling on this album, which has become an international success story and game-changer for the music industry. But in appearance after appearance on almost every music awards show, Adele has been performing ?Someone Like You?. It?s the broken-heart/lost-love song that will stand the test of time, and g-ddamn if it doesn?t make me cry EVERY SINGLE TIME I hear it. Sigh? here?s the new music video:

My God, she?s pretty. That face! She?s beautiful. The video was shot in nearly one long, continuous take in Paris, and I?m so thankful that Adele isn?t one of those pop artists obsessed with jump-cuts and costume changes and all of the pop-star accoutrements that come with someone trying to pretend they don?t really need a good voice. That being said, I LOVE the coat Adele is wearing. Very flattering.

Here?s a different video of the same song - it?s Adele recording the song live in her home. GAH. I love her so much.

Oh, and this is the performance of ?Someone Like You? at this year?s Brit Awards. This was the game-changing performance.

Okay, I?m just going to sit here in a puddle of tears. *sob*

wenn3485455

wenn3425473

Photos courtesy of WENN and Vogue UK.

Written by Kaiser

Share

Posted in Adele


- This weeks top 10 animal videos [Videogum]
- Jeremy Renner's dog is so cute! [Lainey Gossip]
- Anderson Cooper tastes spinach for the first time! [D-Listed]
- Celebrity vampires [Fark]
- Suburgatory is said to be awesome [Pajiba]
- Justin Timberlake and Jessica Biel at a celebrity golf tournament [Popsugar]
- Scientology high [Gawker]
- James McAvoy to play Elton John? [Evil Beet]
- Tiger mom licks cub, aww [The Frisky]

3 Responses to ?Adele?s new music video for ?Someone Like You?: epic, amazing and lovely??

  1. Her voice is amazing, and this song breaks my heart. :(
    Now I?m all goosebumpy in a puddle of tears too.

    Report this comment as spam or abuse

Leave a Reply

Celebitchy aims to be a friendly, welcoming site where people can discuss entertainment stories and current events in a lighthearted, safe environment without fear of harassment, excessive negativity, or bullying. Different opinions, backgrounds, ages, and nationalities are welcome here - hatred and bigotry are not. If you make racist or bigoted remarks, comment under multiple names, or wish death on anyone you will be banned. There are no second chances if you violate one of these basic rules. You must be 13 or older to comment. This site is not intended for anyone under 13.

Note: due to excessive spam, the .info domain had to be banned. Please do not post links or use an e-mail address from a .info domain.

By commenting you agree to our comment policy

Use the "Report this comment as spam or abuse" link to ask the moderators to delete a comment if it's offensive. If your comment disappears, it has been eaten by the spam filter. Please e-mail cbcomments at gmail.com to get it retrieved.

Get an icon next to your name by signing up for a free Gravatar



Powered By WizardRSS.com | Full Text RSS Feed | Amazon Plugin | Settlement Statement | WordPress Tutorials

Source: http://www.celebitchy.com/183350/adeles_new_music_video_for_someone_like_you_epic_amazing_and_lovely/

celebrity clothes celebrity cars celebrity haircuts celebrity celebrity hair

Watch: "Videocracy" on Silvio Berlusconi's 75th Birthday

Today, Italian Prime Minister Silvio Berlusconi turns 75, a milestone birthday but one that may be quietly observed. News outlets marking the occasion note that both Italy?s and Berlusconi?s troubles?economic, political, legal, et al.?are making this a ?bitter? occasion with ?very little to celebrate.?

Well phooey to that. There is some fun to be had, though it?s not necessarily out of respect to Berlusconi or to pay him any tribute. His birthday is a just a very good excuse to watch Erik Gandini?s ?Videocracy,? an astonishing Swedish-produced documentary about the Italian television industry and celebrity culture. Think the U.S. is crazy about fame, idolatry and visibility? Watch this film. Think American paparazzi are shameless? Watch this film. Think Nancy Grace?s nip slip was a big deal? Watch this film.

The doc is currently available for rental on streaming VOD at Netflix, YouTube and Amazon. Check out a NSFW trailer after the jump.


Follow Spout on Twitter (@Spout) and be a fan on Facebook
Follow Christopher Campbell on Twitter (@thefilmcynic)

Comments


Post a Comment




Powered By WizardRSS.com | Full Text RSS Feed | Amazon Plugin | Settlement Statement | WordPress Tutorials

Source: http://fb.indiewire.com/~r/indiewire/spout/~3/amAMg7REHuc/

celebrity cars celebrity haircuts celebrity celebrity hair celebrity movies

Michael Fassbender is single: Zoe Kravitz takes her game back to Penn Badgley

wenn35089731

Any excuse to post Michael Fassbender photos? Yep. Pretty much. LaineyGossip is reporting - from sources and eyewitness accounts - that Zoe Kravitz is loved up in Toronto with Penn Badgley. The last time we heard about Zoe being in Toronto, it was two weeks ago and she was there as Michael Fassbender?s date, and he slipped her the glorious Fassdong yet again. Just so we can all keep up, this is what?s gone down in the past year (yes, this is all from memory):

wenn5719766

*Fall 2010: Single Fassbender meets single Zoe Kravitz on the set of X-Men: First Class. They apparently get hot and heavy very fast.

*January 2011: Michael Fassbender?s Vogue UK profile is released (he was interviewed in Fall 2010) - wherein we get confirmation that Zoe and Michael are happening when Zoe makes an appearance during Michael?s interview.

*Winter/Spring 2011: Michael is in NYC, filming Shame. Zoe is presumably in NYC too (she lives there, after all), but they keep a pretty low profile. No drama.

*March/April 2011: Zoe goes to some of Michael?s event for Jane Eyre, but they don?t walk any carpets together.

*June/July 2011: Breakup rumors abound, X-Men promotion starts, and Zoe and Michael take pains not to be seen together during promotion. And then they get photographed by a paparazzo just before the movie opens, and they look coupley.

*Summer 2011: Fassie in London, Zoe in NYC. Fassie gets spotted at parties, flirting with girls, although there aren?t many reports of him slippin? it to every girl he meets.

*Summer 2011: Looking like she and Michael broke up, Zoe begins stepping out with several dudes, but the one who is consistently mentioned is Penn Badgley. Penn and Zoe are spotted together, looking romantic and coupley all over NYC.

wenn3525062

*August 2011: Michael goes to Venice solo. He wins Best Actor. He looks hot.

*Early Sept. 2011: Zoe appears at some events for New York Fashion Week. There is a sighting of Zoe and Penn together, looking romantic.

*Mid-Septemeber 2011: Zoe appears, days later, in Toronto with Fassbender. They look like they?re nailing each other. I feel like crying.

*End of September: Zoe is back with Penn, back in NYC. Michael is God knows where (Spain? England? My pants?). He?s presumably single.

So? how should I feel about this? On one side, a single Fassbender is much more erotic, because there are more possibilities. On the other side, what girl tosses any inch of a Fassbender aside for a Badgley? I do think Zoe has game, and that she?s just doing whatever and whoever she wants (she got that from her mom). I also think Michael and Zoe are friends still, and maybe they?re both hippies about sex and are just like ?Eh, we?ll bone whenever we feel like it, we don?t need a relationship.? I just don?t know.

Single Fassbender? Huzzah!

wenn35045951

wenn34941291

fp_7913599_trg_fassbendermichael_festival_06_111

Photos courtesy of WENN and Fame.



Powered By WizardRSS.com | Full Text RSS Feed | Amazon Plugin | Settlement Statement | WordPress Tutorials

Source: http://www.celebitchy.com/183154/michael_fassbender_is_single_zoe_kravitz_takes_her_game_back_to_penn_badgley/

celebrity haircuts celebrity celebrity hair celebrity movies celebrity babies

Early Edition: Blake Lively Ready for 'Savages'; New Director for 'Wolverine'; More

Blake Lively might not be taking her planned trip down the Yellow Brick Road. Lively, who won critical acclaim for her role in Ben Affleck's 'The Town,' is now first in line for the female lead in Oliver Stone's 'Savages,' a story about two Laguna Beach marijuana kingpins who are forced to work for a Mexican drug cartel after the free-spirited girlfriend they share is kidnapped, according to Variety.

Aaron Johnson and Taylor Kitsch have been in talks to play the two male leads, with Benicio del Toro negotiating to be one of the cartel enforcers. If Lively is in fact offered the part, she may have to give up the role of Glinda the Good Witch of the East, which she was considering, in Sam Raimi's 'Oz: The Great and Powerful' for Disney. 'Savages,' which Stone will write and direct for Universal, is being eyed for a June start date.

'Wolverine' may be coming off hold soon. According to TheWrap, Fox has shown an interest in having Duncan Jones direct the film and Jones, in turn, is interested. As you'll recall, Darren Aronofsky was originally going to direct, but he pulled out in March because of scheduling issues. And since the film was to shoot in Japan -- the story line has Wolverine, played by Hugh Jackman, traveling to Japan to learn from a Samurai master -- the production was further delayed by the earthquake and tsunami that shattered that country. Jones, the son of David and Angela Bowie -- directed the recent 'Source Code' and cult film 'Moon.'

Matt Reeves, who made a splash as writer/director of the chilling 'Let Me In,' has been tapped by Universal to write and direct a feature based on John Carpenter's 'They Live.' The 1988 film -- which starred pro wrestler Roddy Piper -- centered on a takeover of the Earth by aliens who cloaked themselves in human form. Piper finds a pair of sunglasses that allow him to see the aliens, and he helps foment a revolution against the invaders. Reeves also directed 'Cloverfield' and was a creator, writer, director and executive producer of the WB series 'Felicity.' [The Hollywood Reporter]

Alec Baldwin will be starring in Woody Allen's next film which, as is the New York director's modus operandi, has no title yet. According to Deadline, Allen has just begun putting the comedy together and may be tapping Jesse Eisenberg ('The Social Network') for a lead. The film will be shot in Rome.

Relativity Media has hired 'Crazy Heart' writer/director Scott Cooper to direct 'Out of the Furnace,' a spec script bought in 2008 about a man who, after being released from prison, just wants to lead a normal life and marry his girlfriend ... but finds himself avenging his brother's murder. [TheWrap]

Tom Wilkinson will join Samuel L. Jackson in the indie thriller 'The Samaritan,' about a former grifter (Jackson) who wants to go straight after a 20-year prison stay but gets involved in a con with the son of his former partner. Wilkinson will play a crime boss also taking part in the grift. The film is filming in Toronto and Rio de Janeiro for an early 2012 release. [Variety]



Powered By WizardRSS.com | Full Text RSS Feed | Amazon Plugin | Settlement Statement | WordPress Tutorials

Source: http://blog.moviefone.com/2011/04/12/blake-lively-savages-wolverine-director/

celebrity hairstyle celebrity look a like celebrity diets celebrity clothes celebrity cars

People Vs. Dr. Conrad Murray -- Michael Jackson's Chef Testifies

Kai Chase -- Michael Jackson's Chef Testifies
Updated 9/29/11 at 2:35PM

0929_girlk_on_standMichael Jackson's personal chef Kai Chase just testified -- claiming a frantic Dr. Conrad Murray begged her for help the day MJ died, ten minutes before anyone called 911.

According to Chase, she was in the kitchen preparing lunch for Michael and his kids -- and between 12:05 and 12:10PM, Murray ran downstairs, yelling for her to "get Prince, get help, get security."

Chase claimed she sent Prince to Dr. Murray and returned to work.

Chase admitted she didn't contact security -- a point highlighted by defense attorney J. Michael Flanagan.

Yesterday, MJ's personal assistant Michael Amir Williams testified ... Murray called him at 12:13 PM, and Williams immediately phoned security. MJ's security guard Alberto Alvarez eventually called 911 at 12:21 -- between 11 and 16 minutes after Murray allegedly asked Chase for help.

While Chase was leaving court today, we asked if she thought her testimony was helpful -- she responded, "Absolutely."



Powered By WizardRSS.com | Full Text RSS Feed | Amazon Plugin | Settlement Statement | WordPress Tutorials

Source: http://www.tmz.com/2011/09/29/people-vs-dr-conrad-murray-aeg-michael-jackson-manslaughter-chef-kai-chase/

celebrity relationships celebrity couples celebrity photos celebrity gossip celebrity hairstyle

Thursday, September 29, 2011

NYFF 2011: Critic's Notebook

NYFF 2011: Critic's Notebook

by Vadim Rizov

The Loneliest Planet

The second act of Julia Loktev's first narrative feature?2006's Day Night Day Night?is a real time urban nightmare: an unnamed woman (Luisa Williams) wanders through Times Square with a bomb strapped to her chest, internally/inscrutably debating whether to detonate. When she decides, the movie inevitably gets less tense, but that first hour makes the film as a whole one of the most terrifying things I've seen: the lives at stake get to you less than the sense of a fragile, cringing person tensed up and ready to destroy themselves. Likewise, The Loneliest Planet offers up the continual possibility of something horrible happening for nearly a solid hour of walking, spikes with an unexpected crisis moment requiring a snap decision, then slowly loses excitement as, again, the first hour's more than enough to justify the whole film.

Considering he has less screen time than his two co-stars, it's awfully nice of Gael Garcia Bernal to provide his marquee value for a film that otherwise makes no commercial concessions, starting with disorientation before upshifting into prolonged tension. The blindingly fast post-title-card opening cuts to near-cubist effect through a young couple's vacation in an unnamed country, alternately at manic speed or with extended weird interactions: now Bernal's making fruit on a pancake sing a goofy song about taxes to anonymous children, now he and the girlfriend having a long unsubtitled conversation with a tiresome local couple, then suddenly they're bargaining for a tour guide on the street?in the same city/country? how many days later??while a friendly, inebriated man continually interrupts, teetering between colorful future anecdote and potentially violent midday drunk.

The Loneliest Planet

Alex (Bernal) and fianc�e Nica (Hani Furstenberg) aren't prototypical Ugly Americans abroad: they're self-consciously polite, right-on liberal types with a love for light backpacking who can barely stop themselves from chiding guide Dato (Bidzina Gujabidze) when he says he'd rather buy a car made by the Japanese than untrustworthy black people. (Alex settles for pulling reproving faces behind his back.) Dato's initially mildly menacing?especially when he demonstrates a "rope trick" by binding Nica's hands together, then freeing her with a giant knife?but his heavily accented, did-he-just-say-that anecdotes about mass castration and traditional drinking toasts eventually stumble towards warmth.

The Loneliest Planet premiered less than two months ago, so?although I'm not convinced it spoils all that much?I'll follow other festival reviews' lead in not saying What Happens in the middle of the film. That something must is inevitable: a couple onscreen without separation for an extended period is invariably a couple in trouble, and you watch Alex and Nica's relationship for small signs of friction or stumbling blocks but nothing stands out. They're an annoyingly self-involved, touchy-feely unit despite trying to be more polite than that, but they seem perfectly content. The midpoint reveals, to keep it vague, otherwise.

The Loneliest Planet's Julia Loktev

Their rural trek is excruciating. Every walk over a pile of steep boulders seems like a potentially paralyzing fall waiting to happen, every river crossing a disaster in waiting. As the only non-natives seen, they're obvious Americans traveling during a time when the country's international image is low, adding another way things could go wrong. Their scrambles over ever-changing terrain (with an extended soundtrack of rocks falling and disciplined breathing) are broken up by extended visual palate cleansers seemingly taken from miles away while Richard Skelton's droning string score plays. During these shots?disciplined, unnervingly prolonged long takes that recur about a half-dozen times, each unexpected and disruptive?three dots move from right to left on a gentle uphill slope against overwhelming grassy slopes, scrubby plains and sinister bright cliffs. Loktev keeps the directional graphic match going for around 20 minutes before allowing the characters to wander and bond, then sending them from left to right uphill as a tighter, friendlier unit. The Loneliest Planet has the menace of a horror movie, and the meticulous visual planning reinforces that nothing's been left to chance: something bad is coming.

As Loneliest deflates in the back half, the commitment to transfixingly queasy sex scenes as character development is appreciated but tension dissipates. Diminishing returns don't wipe out the earlier impact of the aesthetic aggression, which is incredibly exciting. The opening shot?the sound of creaking springs suggesting sex only to be revealed as Nica jumping frantically up and down naked in a bathhouse, building up heat so Alex can douse her?gets attention through misdirection, but it's an instantly arresting opening; the rest of the film follows forceful suit.

Corpo Celeste

Corpo Celeste is a movie with serious problems: the very title, offering up the suggestion that "heavenly body" can be a religious or sexual epithet, has a self-explanatory irony and complexity built into it that's also pretty standard issue. Corpo periodically stops for quite a few similarly familiar blunt metaphors, including having a teenage girl's first period fall on the day of a crucial ceremony (in this case, her Catholic confirmation, with the bleeding stigmata of a lifesize "figurative" crucifix double-underlining the irony). But the film breezes past standard short-story-isms to focus on a non-hysterical portrait of people dealing with the widening gap between their attachment to religion as a social anchor and increasing skepticism about its value or relevance. Twitchily shot by director Alice Rohrwacher and veteran DP H�l�ne Louvart, the film's tendency towards simplified moments is tamped down by the many diversions it takes from the central teen narrative, building a multi-character crisis of faith with different particulars for all its characters.

13-year-old Marta (first-time Yle Vianello, awesome) is new to Calabria, having just moved back to Italy with her family from Switzerland. Aside from her inexplicably hateful bitch of an older sister Fortunata (Paola Lavini), life with mom Rita (Anita Caprioli) is going smoothly enough. So far, so standard: the film perks up during Marta's first confirmation class, run by harried Santa (Pasqualina Scuncia), whose pained attempts to get teenagers to take the upcoming ceremony seriously as the start of their mature spiritual life aren't derailed by their question as to whether the figurative crucifix accurately reproduces the size of Jesus Christ's penis.

Corpo Celeste

Clearly she's heard that one before, and it's quickly evident that devout Santa doesn't even care if the teens obviously have no connection to the religion she's teaching: she just wants them all to have this common experience that'll connect them with their parents. For her, religious ceremonies are an important part of daily life, filling out otherwise empty days, but her devotion to walnut-faced priest Don Mario (Salvatore Cantalupo) can't even guarantee that; he's hoping for a transfer to a bigger church, where he could have more administrative responsibility and a decent shot at becoming a bishop. He's no hypocrite exclusively fixated on power: in one scene by himself, he takes off his priest's collar and clothing, then reluctantly steels himself to study the Bible before bed. Still, he wants out, which is understandable: Reggio Calabria, as shown here, is decrepit and dirty. Occasionally, the film stops dead for Marta to gaze down at the city from great distances in scenes grain/telephoto lens fetishists will love emphasizing the rubble and barely passable urban infrastructure.

Marta's idylls give the film narrative breathing room, along with many understated moments of pro forma religion butting up against an underwhelming, even tacky reality: Don Mario at home irritably rubbing his neck before devoting himself to study, Santa distracted during a church admin meeting by a screaming child running around with a lightsaber, a group of teenagers singing about how they're tuning in to the radio station that is Jesus, who has the right frequency for them. There's dopey narrative lapses for sure: most egregiously, the character of Fortunata appears to have no purpose other than haranguing her younger sister until inexplicably standing up for her at the end. But most of Corpo Celeste is much better than that, taking on the gap between rote religious expression and hollowness without ever once explicitly stating the theme.

We Can't Go Home Again

One of the more anticipated sidebar items is the immaculate restoration of Nicholas Ray's 1976 "student film" We Can't Go Home Again, the product of five years of labor. Eight years after essentially collapsing on the set of 1963's 55 Days at Peking and long after having exhausted studio goodwill with his drug use and erratic reliability, Ray wound up teaching for a spell at upstate New York's Harpur College. Over the years, Ray had a lot of wild ideas the studios wouldn't let him indulge, many of which arguably would've made his movies worse: it's hard to imagine how Rebel Without a Cause would've been improved by dream sequences of James Dean daydreaming about shooting a balloon gallery's worth of family faces.

We Can't Go Home Again?much of which consists of a variety of 16mm, 8mm and video-tweaked footage being projected onto a board, with a still photo backdrop occasionally changing in the background?is a serious head-rush of a career's worth of forcibly repressed ideas; many are goofy, but the energy's infectious. The whole project's got a very post-60s/early-70s feel, with earnest college students ranting about being disconnected from their parents, a girl masturbating next to a projector, and newly discovered sexual politics being put into action ("I'm a lesbian! I don't have to put on any goddamn pants!" yells one girl); it can be hilarious if you're in the mood for a time-capsule rush.

We Can't Go Home Again's Nicholas Ray

The multi-image bombardment doesn't always add up to more than a formal gamble without an obvious payoff; at its best?as with a four-part panel of images of the first day of class, with students looking out from lecture hall doorways down hallways being projected just above them?the simultaneous moving pictures synthesize into a geometric whole, like looking at four different areas simultaneously. Still, the quirkiness and indulgence means this is not the place to start for Ray novices; the film riffs extensively on his filmography, especially in the ending, a remarkably cogent bookending of his career. Ray's first film, 1949's They Live by Night, opens with a fugitive couple and a hyperbolic but heartfelt title card: "This boy... and this girl... were never properly introduced to the world we live in." At the end of this film, another couple escapes from a barn while Ray swings from a noose while delivering a climactic monologue. "Take care of each other," he says, "it is your only chance for survival." The boy and girl race off together, on the run and homeless in a contemporary American landscape as heartless as the one that isolated Ray's first martyrs; for all the dated period charms, We Can't Go Home Again ends by connecting 30 years of onscreen teen alienation.

Bookmark and Share

Posted by ahillis at September 27, 2011 3:09 PM



Powered By WizardRSS.com | Full Text RSS Feed | Amazon Plugin | Settlement Statement | WordPress Tutorials

Source: http://feedproxy.google.com/~r/greencine/daily/~3/rTIGVQMUg20/008131.html

celebrity relationships celebrity couples celebrity photos celebrity gossip celebrity hairstyle

BRADLEY COOPER COZIES UP TO SCARLETT JOHANSSON





BRADLEY COOPER COZIES UP TO SCARLETT JOHANSSON

Bradley Cooper adds another starlet to his recent string of Hollywood hookups! Life & Style has exclusively learned that Bradley cozied up with recently single Scarlett Johansson at NYC hot spot Provocateur in the wee hours of Sept. 16. "Scarlett and Bradley arrived with a small group of friends, including model Cheyenne Tozzi, around 2 a.m," an eyewitness tells Life & Style. "While Bradley was flirty with Cheyenne initially, after some drinks he turned his attention to Scarlett. The duo were hand in hand and more than flirty by the end of the night!" While the VIP couple tried to maintain a low profile there, other club goers took notice of Bradley and Scarlett. "They were here with a group of friends and ordered champagne," a second eyewitness tells Life & Style. "The group was having a good time together."

While Scarlett's rep tells Life & Style the pair are "just friends and have been for years," it seems Bradley already had his eye on Scarlett. Not only did they play lovers in the 2009 hit He's Just Not That Into You, but their surprise romance also comes just one night after Bradley was spotted on the scene with Justin Timberlake and Scarlett at 1OAK in NYC. "Bradley was dancing and drinking like crazy," an eyewitness tells Life & Style. "Nearby, Scarlett and Justin were talking to each other all night like old friends."

Definitely enjoying his bachelor status, Bradley kept close company with newly single Olivia Wilde in May and chose recently divorced J.Lo as his dinner companion at Per Se in NYC on Sept. 10. Reports suggested a budding romance between the two, but with Bradley's recent behavior, it seems the actor's in no rush to settle down.

Bradley split from his girlfriend of two years, Ren�e Zellweger, in March, while Scarlett split with husband Ryan Reynolds in December. They'd been married for more than two years.







Powered By WizardRSS.com | Full Text RSS Feed | Amazon Plugin | Settlement Statement | WordPress Tutorials

Source: http://thebosh.com/archives/2011/09/bradley_cooper_cozies_up_to_scarlett_johansson.php

celebrity haircuts celebrity celebrity hair celebrity movies celebrity babies

Michael Fassbender is single: Zoe Kravitz takes her game back to Penn Badgley

wenn35089731

Any excuse to post Michael Fassbender photos? Yep. Pretty much. LaineyGossip is reporting - from sources and eyewitness accounts - that Zoe Kravitz is loved up in Toronto with Penn Badgley. The last time we heard about Zoe being in Toronto, it was two weeks ago and she was there as Michael Fassbender?s date, and he slipped her the glorious Fassdong yet again. Just so we can all keep up, this is what?s gone down in the past year (yes, this is all from memory):

wenn5719766

*Fall 2010: Single Fassbender meets single Zoe Kravitz on the set of X-Men: First Class. They apparently get hot and heavy very fast.

*January 2011: Michael Fassbender?s Vogue UK profile is released (he was interviewed in Fall 2010) - wherein we get confirmation that Zoe and Michael are happening when Zoe makes an appearance during Michael?s interview.

*Winter/Spring 2011: Michael is in NYC, filming Shame. Zoe is presumably in NYC too (she lives there, after all), but they keep a pretty low profile. No drama.

*March/April 2011: Zoe goes to some of Michael?s event for Jane Eyre, but they don?t walk any carpets together.

*June/July 2011: Breakup rumors abound, X-Men promotion starts, and Zoe and Michael take pains not to be seen together during promotion. And then they get photographed by a paparazzo just before the movie opens, and they look coupley.

*Summer 2011: Fassie in London, Zoe in NYC. Fassie gets spotted at parties, flirting with girls, although there aren?t many reports of him slippin? it to every girl he meets.

*Summer 2011: Looking like she and Michael broke up, Zoe begins stepping out with several dudes, but the one who is consistently mentioned is Penn Badgley. Penn and Zoe are spotted together, looking romantic and coupley all over NYC.

wenn3525062

*August 2011: Michael goes to Venice solo. He wins Best Actor. He looks hot.

*Early Sept. 2011: Zoe appears at some events for New York Fashion Week. There is a sighting of Zoe and Penn together, looking romantic.

*Mid-Septemeber 2011: Zoe appears, days later, in Toronto with Fassbender. They look like they?re nailing each other. I feel like crying.

*End of September: Zoe is back with Penn, back in NYC. Michael is God knows where (Spain? England? My pants?). He?s presumably single.

So? how should I feel about this? On one side, a single Fassbender is much more erotic, because there are more possibilities. On the other side, what girl tosses any inch of a Fassbender aside for a Badgley? I do think Zoe has game, and that she?s just doing whatever and whoever she wants (she got that from her mom). I also think Michael and Zoe are friends still, and maybe they?re both hippies about sex and are just like ?Eh, we?ll bone whenever we feel like it, we don?t need a relationship.? I just don?t know.

Single Fassbender? Huzzah!

wenn35045951

wenn34941291

fp_7913599_trg_fassbendermichael_festival_06_111

Photos courtesy of WENN and Fame.



Powered By WizardRSS.com | Full Text RSS Feed | Amazon Plugin | Settlement Statement | WordPress Tutorials

Source: http://www.celebitchy.com/183154/michael_fassbender_is_single_zoe_kravitz_takes_her_game_back_to_penn_badgley/

celebrity movies celebrity babies celebrity relationships celebrity couples celebrity photos